that's nice 3. a nude artist.

http://www.miaminicemag.com/images/easyblog_images/508/nasha-_61.jpg

 

Timelapse of a Painting by Nasha Wallin from Alex 361 on Vimeo.

video by: Alex Tarajano
 
 
not an arist that's naked, an artist that paints nudes. Nasha Wallin's first gallery show is up for a few more days at GAB Studio (105 NW 23th Street, through Feb. 4).
Interview by a new contributor- Prince.
When and how did you get started?
I have always been exposed to the arts and encouraged by my mother who is also an artist. My family life has fostered an appreciation of art in me. My house was always covered in family artwork.

How would you describe and/or categorize your style?  

I think I started with more of an academic approach in the sense that I kept my subject matter classical and used it as a platform to fine tune my technical skills. However, I think it quickly changed into more of a personal style once I began focusing less on "correcting" critiques and realized that what I loved most about my paintings was how I didn't have complete control over the end result. Each one had somewhat surprised me in its end result. I also love the way that I can somewhat transform something as everyday as the human figure into something more dramatic, beautiful, and dynamic using lighting, color and composition.  



Tell us a little bit about your first collection.  
My “Nude Collection” is based on the form of the female figure. It is a collection of the different moods, feelings and emotions of females depicted through body positioning in which composition and colors create a dramatic result. The face of every figure is hidden by shadow or positioning so that no identity will be connected to the image, which allows for the viewers to place themselves in the position of the figure. I used yellows and reds with contrasting black backgrounds to exaggerate the light and shadow. The colors and aesthetics are equally as important as the positioning of the form and the feeling it evokes.

 
What are you up to next? 
I am moving to New York City where I will be working while I also continue to paint. I don't know if I have gotten the subject matter of this past collection out of my system, so I am looking forward to possibly continuing it. But at the same time, I am open to exploring other ideas.